Very common trope, and not anything original added this time around.

The second major conflict is a father not approving of his son being homosexual. Not like it has much influence on the story though, as it just after a short while it’s treated almost like it didn’t happen at all. Oh yeah, the conflict this time is that the protagonist couple breaks up. the protagonist to sort out the conflict by literally talking to each other, a solution that could change so much fictional conflicts in general yet is so often overlooked. I appreciate the inclusion of characters that feel more as an actual human being rather than a soap opera drama-machine, like the girl advising Which might not sound like much, but it seriously is an improvement when compared to the prequels. The story feels more continuous than the previous chaotic parts, more or less achieving the goal of telling one comprehensive story. Or as would be better phrased – the least bad part. That said, I don’t want to be too mean as this is so far the best part of the manga series. But it was certainly great while it lasted. It was a fantastic story, all the way from 'Doukyuusei' to 'blanc', and it's sad that it's all over now. It all made it feel worth it in the end, because those hardships allowed the characters to grow and re-evaluate things in their lives. I thoroughly enjoyed reading this, despite the more emotional and heavy parts.

We've been able to follow Rihito & Hikaru's journey since 2006 - and finally, the story comes to an end (not entirely, but that's for a different manga & review at a later date!) in the best way possible. They had to spend some time apart in order to properly be together in the end - and what a cathartic way to end off 'blanc'. There's a saying that too much sun makes a desert, and that was portrayed in 'blanc' really well. It was great to see and read more of how Rihito and Hikaru get through their struggles, first together, then apart, and then together again. I know of people who don't particularly vibe with Nakamura's art style, but I certainly do. There are a lot of heavy elements conveyed wonderfully through the art, with facial expressions that really lent power to said moments. The general mood of the story is very different from the sequels though they aren't that much older, the characters and their issues feel more adult

ended, but things have definitely changed. (Occupation to Beloved), it's set not too long after O.B. She is incredibly talented with crafting stories, delivering messages, and making at least me fall for everything in the work I'm currently engrossed in - this time, it was 'blanc'.Ī sequel to Doukyuusei, Sotsugyousei, and O.B. Asumiko Nakamura's stories have always had my interest and attention in a vice grip, relentless and refusing to let go - and I've never minded that fact.

Classmates by Asumiko Nakamura